Here is another excerpt from a novel I’m working on. It’s set in the future, so you may notice some oddities, such as the narrator not being sure the readers know what dimes are, but it can basically stand on its own.-C.
As I’ve said, the main building sat—or, I suppose, still sits—on a bit of a hill, so that while the main entrance is at ground level, the back door of the same floor opened onto a second-story balcony. This same geography required that what was basement on one side of the building was a ground floor, complete with windows, on the other. The underground portion of the basement was divided into a utility room, a laundry room, and the school’s large root cellar. You need a large root cellar to feed two hundred-some people through a Vermont winter. The front portion, with the windows, was a long, narrow space that serves both as student lounge and library.
There is no librarian, or, rather, the school’s librarian (her name was Adrianne) had no desk or station within the library. To check out a book, you wrote your name and the book’s name down on a clipboard by the door, and if the book wasn’t back by the time she re-shelved on Sunday, she’d charge you. Everything else about the library was on the honor system. You could eat lunch in there while reading, and some people did.
Besides books and the student computers and printers, that long, low, cool room contained chairs and sofas and a pool table with an optional table tennis top, and plenty of ash trays and fire safety notices, because the staff had long ago seen the futility of trying to prevent students from smoking pot in there. Two large jugs of water stood always full, so that if you brought your own mug you needn’t fear going thirsty while you did your homework, but all other refreshments were strictly bring-your-own. Sometime in my first year I had picked up the habit of reading or writing or daydreaming in the chair second-closest to the door, and by the time the beginning of my second fall trimester rolled around, I thought of that chair and the space immediately around it as my office.
Which is all a way of leading up to the fact that in mid-September, who should step into my “office,” but Saul.
I hadn’t seen him in the better part of a year. I jumped up from my chair, and he saw me and gave me a smile of surprised pleasure. Of course, he hadn’t known that corner of the library had become my primary haunt. He gathered me into one of his wonderful hugs and I had the irrational sense of being glad to be home—as though I, and not Saul, had returned from somewhere.
“I didn’t know you were back,” I told him, when we disengaged. We each sat down, he flopping into the chair by the door with the relief of the exhausted. The day was dangerously hot out, the dim library a cool refuge, and I took the liberty of lifting his mug from his hand and filling it with water.
“Thank you,” he said, and took a long drink. “I only just got here.”
“Didn’t you get back earlier last year?”
“Yeah. Last year some things fell through so I just came back early.” He took another long drink and leaned back against the wall behind his chair. “Jeez, it did not used to get so hot in New England.”
He was still in his traveling clothes, a light-weight kilt and a short-sleeved, collared cotton shirt that would have been stylish had it not been sweat-stained. He had the top of the shirt unbuttoned, and I could see a little gold medallion, smaller than a dime, if you’ve ever seen a dime, hanging from a thin, gold chain amid the black curls of his chest hair. I found out later that the medallion bore the image of a butterfly, and that he never took it off, though he never wore it outside his shirt where people could see it, either. He took off his hat and sighed the sigh of the overheated.
“They say it’s an advantage in the winter, though,” I offered.
“If you like ice storms, sure,” he replied, and lifted his head to look at me. “Cold. We could deal with the cold. We knew how. What we have now are rapid freeze/thaw cycles all winter long. That’s why we’ve lost the paper birches and, ironically, why we’re losing some of the southern orchard species, too. How many years is it we haven’t had a decent peach? God. God damn those idiots all to hell. This is a different world, now, and a poorer one. They could have prevented this, but they didn’t.”
“I know you’re right,” I told him, “but the climate doesn’t seem that different to me. I mean, I’m young, but I’m not that young. I remember Before.”
“Oh, it’s different, trust me. Even in the…how old are you?”
“In the past nineteen years, there have been a lot of changes. But people don’t notice, or they don’t notice that they notice. There’s a hot day, but people don’t put it in context because they don’t expect there to be a context. Actually, I think that’s part of the reason to tell stories.”
“Yeah. A narrative frame allows people to put what they experience in context, tells them what is significant and how, what to pay attention to, what to remember. We are living the story of global warming. And you and I know how to follow the plot.”
“So, that’s storytelling as reminder, again,” I ventured, thinking back to our conversation about what seanachis do. “The story affirms what is significant, tells people that certain experiences are real and worth caring about?” I was thinking of all the Yom Kippurs I hadn’t even noticed over the years, because Alicia didn’t think they were worth noticing. Hearing a maggid or two preach in the market some year would have helped, but of course there were none.
Saul looked at me, thoughtfully, and declared that I had a point.